Sweeney Todd

I’m working for MTI (new York) on a recording of Stephen Sondheim’s broadway show “Sweeney Todd” for theatrical licensing. We’re using the original scores orchestrated by Jonathan Tunick in 1979 with some adaptation by Larry Lees of MTI. The score is unbelievably well written. Tunick’s use of the instrumentation to highlight the darkness and tension of Sondhiem’s music is still so effective 28 years later!

I recorded the 28 piece orchestra live at the Sound Kitchen here in Nashville. Mixing is being done at my studio, My Space recording. I hope to have some of it on my “web-pod” when we’re done.

Tim Burton’s film version of the show, starring Johnny Depp, is due out this winter.

A lot has been happening

I’ve been working on some very cool projects lately. Here’s a sample.

I broke out the Blue Sky 5.1 monitor system to mix a couple of songs for the upcoming Universal Pictures film, “The Pirates Who Don’t Do Anything”. I was also music editor for the film score, composed by Kurt Heinecke.

Chris McDonald composed another album of instrumental music. We recorded the tracks here at My Space, overdubbed the Orchestra at Sound Emporium studio and came back here for mix.

Drummer/ Producer Bob Mater brought a project for me to mix for Mastron Music Group.

And currently I am recording tracks for iTheatrics (New York) production of “The Phantom Tollbooth”. A musical adaptation of Norton Juster’s classic book with lyrics by Sheldon Harnick (Fiddler on the Roof), and score by Arnold Black. Harnick and iTheatrics’ David Weinstein are in from New York to supervise the sessions at My Space Recording.

above: Dan Rudin and Sheldon Harnick

Nashville Jazz Orchestra Cuban Fire Concert

The NJO, a non-profit jazz performance organization whom I record and mix often, has a very special gig coming up this month.

On October 19th the NJO will do two performances featuring Stan Kenton’s “Cuban Fire Suite”. Special guests will include my good friends Glen Caruba, Bob Mater and Lalo Davila as well as the usual cast of exceptional players.

Shows are at 7:30 and 9:30 at Vanderbilt University’s Ingram Hall.

For more info http://nashvillejazzorchestra.org

Our New Hammond

Though the studio here is full of great instruments and gear, there has been one thing sorely missing… a resident B-3!

Today, Pat Coil was the first to record playing our recently re-built and renovated 1957 Hammond C-3 and Leslie 147.

The organ is here through a strategic partnership with John Deaderick (who has taken over for Pat Coil touring with Michael McDonald on B-3)

Stop by and play it if you’re in the neighborhood… it’s fantastic.

Our friend James got hitched

Last weekend I was invited to Montana for the wedding of my friend and former colleague, James Bauer.

James, who engineered and assisted both freelance and on staff at OmniSound studio, left Nashville a few years ago and settled in the heart of Big Sky Country, Bozeman Montana.

It is not enough to say that I enjoyed meeting his friends and the family of his wife, Heather Flechsenhar. The people I met were wonderful.

I miss having James around, but am truly glad he’s found a home in Montana.

Sessions For New Musical

Flat Stanley
There’s always a sub-culture!

Cult figure Flat Stanley has never been more popular. People mail paper cut-out’s of the character all over the world. Recent features include appearances on Oprah, and as a guest of Arnold Schwarzenegger’s on The Tonight Show with Jay Leno, on the space shuttle, and news coverage of his visit to the White House. Flat Stanley has also made cameos on The West Wing, ER, The Daily Show, and with Clint Eastwood at the Academy Awards.

Last week engineer Dan Rudin recorded the tracks for Intramusic’s newest theatrical release, The Adventures of Flat Stanley. The show, based on the children’s book, was created by Tim McDonald, Bryan Louiselle and Stephen Gabriel with orchestrations by Buddy Skipper and Chris McDonald.

Above L-R: Dan Rudin, Stephen Gabriel, Tim McDonald, Chris McDonald and Buddy Skipper.

The tracks feature a Five piece rhythm section and four horns. The music, composed by Louiselle, was deep and challenging!!!

For more info www.intramusic.net

Orchestra Project for Chris McDonald

Just started a new Orchestral Christmas record for Chris McDonald. We had the entire 40 piece orchestra in Ocean Way’s studio A, a former church on Nashville’s Music Row.

I used Neumann M-50’s on a Decca tree and Elam 251’s for spaced omnis. U-67’s and ribbons were used for spots.

Beautiful writing… I’ll tell you where you can hear it when we’re finished.

It’s been busy here…

Recent projects:
Tracking for Knoxville based Rockers “Slow Joe Crow”. John Deaderick and Dave Harrison produced.

Recorded and mixed debut album for singer Matt Belsante. This is a killer big band album arranged and produced by Chris McDonald for the Green Hill label.

Busch Gardens came to track and mix the score for their “cirque” style acrobatics show. The rocking band of session players included drummer Dan Needham, Craig Nelson on the bass, Jason Webb on keys (including my farfisa!!!) and Larry Rolando and myself on guitar. Gary Lensenmayer produced.

And the Miami based production team of Pablo Manavello and Iker Gastaminza came to town to cut Strings on a new release by Venezuelan singers VozVies.

Dan Rudin advises Tennessee Tech Trombone ensemble

Our student trombone choir is one of only three college trombone ensembles invited to perform at this year’s Eastern Trombone Workshop in Washington, D.C.

Trombones at Tech took the stage on Thursday, March 22, but don’t worry if you missed the performance. The group will also present its program to a Cookeville audience in a show set for 7:30 p.m. on Monday, March 26, in the Wattenbarger Auditorium of the Bryan Fine Arts Building.

Trombones at Tech

Trombones at Tech

The group joined collegiate ensembles from Penn State and Boston University to perform at the Eastern Trombone Workshop, hosted by the U.S. Army Band.

“Only two or three college trombone choirs are invited to perform at this event each year, so it’s a real honor to be included at such an exclusive level in such a prestigious event,” says Joshua Hauser, director of Trombones at Tech.

But Trombones at Tech’s prestigious performance wasn’t the university’s only representation at the event. A 2006 alumna, Jennifer Griggs, competed as a semifinalist in the National Trombone Solo competition at the workshop.

During its performance, Trombones at Tech presented a preview of the program from its forthcoming compact disc recording, made possible by a grant from the university’s Quality Enhancement Plan and available later this year.

It includes music by Nelhybel, Premru, Bellando and Edwards, as well as works composed by Hauser and alumnus Aldo Forte and premieres of new works by alumnus Glenn Martin and professor Greg Danner.

Hauser, who has devised a series of unique trombone warm-up exercises for his students, will also lead a warm-up session at the Eastern Trombone Workshop at 8:30 a.m. on Saturday, March 24.

“This session includes the use of mp3 play-alongs and use of the Internet to help locate warm-up and basic technical exercises to include in practice routines,” he says.

The session will conclude with examples from Hauser’s new “Donut Etudes: Coordination Studies in 12 Keys for Four-part Trombone Ensemble,” published by Cimarron Music Press.

The name Donut Etudes comes from a tradition begun in Hauser’s warm-up exercises with Trombones at Tech. “The first person to miss a note has to buy doughnuts for the group,” he explains.

For assisting with various aspects of the CD recording and/or the performance tour, Hauser and Trombones at Tech would like to thank Arthur LaBar, chairperson of TTU’s music and art department; R. Winston Morris, tuba professor; Mark and Jennie Morette, Dan Rudin and Ted Wilson, for recording and copyright advice; Andrew Coggin and Adam Richey, recording engineers; Jim Lotz, recording techniques professor; Big “O” Donuts; Bryan Doughty and Cimarron Music Press; Ada Haynes, director of QEP; Student Affairs Office and Student Monies Allocations Committee; Darrell Garber, dean of the College of Education; and Marvin Barker, provost and vice president for Academic Affairs.

“Recording this CD and performing at the Eastern Trombone Workshop are both excellent opportunities for reputation building — both for Trombones at Tech and for the university as a whole,” Hauser says. “We appreciate the support of everyone who’s helped us achieve these goals.”

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