webmix.us is online

webmix.us is a website that makes high-quality, professional music mixing easily available to a wide range of people. The flat-fee and e-commerce basis of the site eliminates some of the difficulties that artists and producers face when approaching a top-notch mix engineer.

The services offered at webmix are not designed to compete with my full production, recording and mixing services, but to extend my mix engineering to a new group of musicians and artists.  Now that great performances can be captured almost anywhere, the need for an experienced mixer to pull all the pieces together is greater than ever.

Available in 5 languages, webmix has been custom designed to make it easy to hire a pro mix engineer from anywhere in the world.

please visit webmix.us

Musical Whiplash

IV music‘s German office came in to my studio with an interesting job last week. Working on an ad campaign for German car manufacturer Opel, I mixed 6 different versions of Queen’s “Don’t Stop Me Now” (one of which I arranged and produced) in one day! Each version was arranged in a completely different genre; indie folk, lounge jazz, pop punk, euro country, trance, and rap.

I thought it was a very cool bunch of tracks, check it out.

Amps, amps, amps

<img src="https://i0.wp.com/dev.danrudin.com/wordpress/wp-content/uploads/2008/11/speaker.jpg?resize=300%2C178" alt="Weber's excellent guitar amp speakers" title="Weber speakers" class="size-medium wp-image-995" srcset="https://i1.wp.com/dev.danrudin.com/wordpress/wp-content/uploads/2008/11/speaker.jpg?resize=300%2C178 300w, https://i2 tablets to lose weight.wp.com/dev.danrudin.com/wordpress/wp-content/uploads/2008/11/speaker.jpg?w=532 532w” sizes=”(max-width: 300px) 100vw, 300px” data-recalc-dims=”1″ />

Weber’s excellent guitar amp speakers

I’m not sure that it’s an addiction, but I love a great sounding guitar amp.

I just put a Weber speaker into my 1965 Fender Princeton. What an incredible sound! For those who care, it’s a 10F150-T-8. It kept the “chimey” quality of the amp, but added a real growl and punch to the low mids. check them out here at weber
We spent today re-cutting Johnny Cash’s “I’ve been everywhere” for a television commercial, and guitarist Eric Silver used this amp for all the electrics in the track.

Another recent addition to the studio arsenal… a 1984 Marshall JCM800 amp. Totally renovated by Nashville Amp Service, this head sounds killer.

More instrument madness coming soon.

Radio page – real time studio stream

The Radio at dev.danrudin.com is finally fully functional.  The Radio is a password protected page on the site that enables clients to remotely listen to progress on their projects.  Featuring a real time, high quality stereo audio stream and an integrated jabber chat room, clients can monitor and participate in sessions from anywhere in the world.

Recently, this new technology was hugely successful during a piano overdub session here at the studio. The two clients were monitoring in differnet NYC locations, while pianist Steve Kummer played.  Client comments came quickly via chat to the control room and also to Steve (who had his laptop signed in as well), while they received musician and console talkback via the audio stream in addition to chat from us.

Passwords are changed and issued on a per-project basis.

The Radio page has taken long distance collaboration a leap forward by integrating several internet based solutions into one easily accessible page that works with any internet browser.  Whether monitoring in their own studio or sitting at a cafe wearing headphones, clients can now easily participate in sessions even if they are unable to attend them in person. 

Questions?  contact us here

 

Update (lots of stuff)

It has arrived! A new Power Mac 8 core (“the Ocho”) and Protools HD3 Accel is now in service as the main PT rig in Studio A.

Work on tracking room A2 got completed JUST enough to host sessions for the new broadway adaptation of Disney’s High School Musical 2. Music adapter/ arranger/ composer Bryan Louiselle was in from NYC to produce and conduct. Mixing for the project is in progress.

Gary Lensenmayer, music director for Busch Gardens, was in to record tracks for the theme park’s hard rock Halloween shows. We all had WAY too much fun getting paid to record a bunch of classic rock tracks!

 

Miami producer (and drummer extrodinaire) Lee Levin was in to capture some pedal steel overdubs, played by Russ Pahl, for an new album by Latin artist Ricardo Arjona. Our brand new radio page technology was used so that co-producer Dan Warner could join the session from miami… it was a big sucess.

I recorded string section overdubs for urban gospel great Dave Hollister’s second release on Zomba records, “Witness Protection”. The orchestrations were done by the legendary Chris McDonald.

Finally, but certainly not least, Composers/ songwriters Larry Lees and Amanda Morton were in for several days to record the score to a new musical theater work “16 days”. If the score is any indication, the show promises to be worthy of note. Pianist Steve Kummer, along with Craig Nelson on bass, John Hammond on drums and Eric Darken on percussion really helped take the project to another level. Certainly a treat for me to produce and engineer.

Musicians for this 16 days and Busch Gardens were contracted by DSB Music, a partnership between Dan Rudin and Chris McDonald to further the turn key services offered through Dan Rudin Audio Productions.

Building Studio A2

I’m finally in the process of building out Studio A2, the “back” tracking room at My Space Recording. This space has been my favorite for brass recording, percussion, and other sundries, but it has never been thermally or acoustically insulated. So here’s the progress on turning A2 into an “all season” studio!

New Video Reel

Video Reel screen shot

I’ve added a flash video reel with some of my work for picture. I’ll be adding more clips as I crunch them to flv. These examples feature some of the many fun things I do in the studio, including sound design, composition, mixing and editing.

Bigger, Stronger, Faster

In 2007, I had the opportunity to work with FlickerLab animation company on an animation segment for the documentary film “Bigger, Stronger, Faster”. The film, released today in theaters across the country, explores the use of steroids and performance enhancers in American culture.

The animation segment was dropped from the theatrical release (for fear of legal repercussions), but is slated to be included in the DVD release of the film. The segment is a musical tribute to steroids, composed by me with lyrics by film producer Alex Buono and FlickerLabs’ Harold Moss. The song, “Steroids” was orchestrated by Chris McDonald and I recorded and mixed it here at My Space Recording with a small orchestra (featuring Steve Kummer on piano).

I hope to include the piece on a soon-to-be-added video reel on my site.

Keep an eye out for this movie, it looks to be great!

Loud Horns

May 19th-23rd, I tracked the first release for the Loud Horns band (sponsored by Loud Mouthpieces). The band plays an aggressive style of jazz/funk/rock that I think is very cool. Comprised of a drum set, bass, keyboard, and guitar rhythm section and the unusual line-up of 3 trumpets, 2 bones, 1 French horn and a tuba, the band has it’s own unique sound while paying homage to Maynard Ferguson, Chick Corea and other jazz greats.

The big surprise for me was trying out a pair of Cascade Fat Head mics on the trumpets. I liked them so much that I bought 2 sets!! www.cascademicrophones.com

Mixing should be done by the end of this month…

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