2015 Projects! Construction! Projects!

2015 was just a crazy year with both production and construction. I would never have survived it without the tireless help of the entire team here at DRR&P.

Projects:

We started the year with a full load of productions; Sea Lion High, the new sea lion and otter show for Sea World; new Junior musical versions of Peter Pan (the 1954 musical), Honk, Dear Edwina and Anything Goes; and a new full length musical (and Jr. version) based on the animated film Madagascar! In here somewhere I also managed to mix the score for a video game; more when that’s public.

Construction:

From April to November 2015, we made it through a massive expansion of our studio building, adding a big, new orchestra recording space to studio A and an entire new studio suite, Studio D (complete with another lounge, shop, and two more bathrooms), to our facility. (more…)

Tokyo, Seattle, Orlando and more

I just finished another two projects for Tokyo Disneyland. It’s always great to work with the creative teams form Tokyo and Orlando, and this was no different. The first project is a Big Band Christmas show composed and orchestrated by Greg Smith, the second a Christmas parade composed by Tom Rau and orchestrated by Joe Alfuso. Both were overseen by Disney Entertainment producer Rick Mizell show director Takuji Higashiyama and music director Kuniyoshi Takeda.

We recorded the orchestra at Seattle’s Studio X, a nice room with a good collection of gear and an even better collection of staff. I had the pleasure of working with Anthony DiLorenzo, a brilliant trumpet player that I happened to have gone to high school with (and hadn’t seen since; it’s a small world after all), and the guy sitting next to him was no slouch either… the venerable Allen Vizzutti.

Then back to the studios at Disney world in Orlando for vocals and mix. A lot of work but also a lot of fun.

Back home I got word that Ricardo Arjona’s latest album, Viaje, has been certified Gold and has a Latin Grammy nomination for Best Singer-Songwriter Album.

Big Fish, Big Shows, Big Month

2013 started off with three non-stop weeks of show production and recording – five different shows! I’ll try to re-capture some of the fun for you.

I recorded and mixed a score for Disney Land Tokyo’s Diamond Horseshoe Dinner Theatre. A Vaudeville show with a western flavor, composer/arranger Greg Smith wrote for a 10 piece band contracted by accordionist Jeff Taylor (The Time Jumpers, Elvis Costello) that featured a “western swing-horn band” with some killer players like guitarist Bryan Sutton, trombonist Barry Green and fiddler Matt Combs.

After recording the orchestra at The Tracking Room Studio, I mixed the project (more…)

A Wicked Opportunity (To Work With Stephen Schwartz)

It was certainly no surprise when, in 2009, Stephen Schwartz was inducted into the American Songwriter Hall of Fame. He’s been much awarded and has written some of my favorite shows in musical theatre (Godspell, Pippin and, of course, Wicked) as well as songs for the films Pocahontas, The Hunchback of Notre Dame, Enchanted and Geppetto. I was asked by Disney Theatrical to produce the recording of Stephen’s stage adaptation of Geppetto, My Son Pinocchio, so after much prep work, arranger/orchestrator David Weinstein, vocal contractor Lori Casteel, Stephen and I settled into The Tracking Room Studio in Nashville for the orchestra recording dates. (more…)